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White Noise Review: Noah Baumbach’s version of Don DeLillo is a mess

The so-called uncensored novel by Don DeLillo White noise doesn’t seem like the perfect match for Noah Baumbach. The director is known for his educated, talkative romantic dramas and comedies. Franz Ha by 2019 marriage historywho do not engage in grandiose, tongue-in-cheek metaphors or hallucinatory fantasy sequences or sprawling stories about grandiose concepts.

Baumbach is great at telling short stories and apocalyptic stories. White noise does not fit into this picture. And yet Baumbach manages to turn this strange portrait of American callousness, consumerism and self-knowledge into something intimate: his talent for painting the smallest details of humanity remains. White noise feelings as an intellectual exercise.

The insightful, bewildering postmodern novel follows a family in a 1980s enclave in suburban Ohio, namely Jack (Adam Driver), a middle-aged professor of Hitler studies at a local university, and his chatty, permed fourth wife, Babette (Greta Gerwig). . . ) along with his four hyperintelligent children. Oblique and introspective, with a thin mask of academic conceit that never hides his character’s keen anxiety, Driver is always on top. Gerwig is just as effective.

Her family life has been drastically changed by two things: the so-called “air-toxic poisoning” after a chemical spill in the neighborhood, and an experimental drug that Babette secretly uses.

After being forced to leave their homes and return home to find that things weren’t as good as they can accurately describe, they developed insecurity and fear. An endless stream of facts and questions jumps from mouth to mouth in the parental home: everyone is always saying something. Shot with flashy bombast and a tongue-in-cheek take on American pop art, it also has some masterful visual touches.

But as Jack and Babette embark on their strange spiritual journey, saving their marriage and possibly their lives from the possibility of (literally) toxic pharmaceutical or chemical doom, the film becomes sonically incoherent.

The mix of serious acting, grandiose dialogue, irony, dry humor, and attacks on organized religion and medicine makes him feel like the funniest drunk at the party, getting into a lengthy legal battle about the ills of society before accidentally stuttering. go puke somewhere

It’s rarely uninteresting – it moves in a compelling clip even for a long time – but it’s often a bit confusing.

Don’t miss the bizarre dance scene off the supermarket lanes on the LCD sound system in the credits, another example of how weird this film is.

Source: I News

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