some kind of biopic silent twin This is a disturbing story based on two real life sisters, June and Jennifer Gibbons. Black British twins who grew up in Wales in the late 1970s were socially and racially ostracized and completely dependent on each other for communication.
The couple spoke to each other only in what bordered on an eerie common language and refused to communicate, write or read with others. As they got older, they became incredibly productive, making art, writing novels, and acting in a kind of unspoken, under-the-radar avant-garde that didn’t appeal to mainstream society.
The English-language debut of Polish director Agnieszka Smoczynska may not be the kind of film to associate with it. Black Panther Star Letitia Wright. But she and her co-star Tamara Lawrence are just as gorgeous as adult twins; Their performances work together, conveying an energy of connected unity in their exchanged glances and curious, shared artistic impulses that border on the supernatural.
Filmed with a dreamy, rambling feel to reflect the underdog feel of the protagonists, the film has an ambiguous quality that poses pertinent questions to the viewer. What social, biological and racial conditions led to such extreme interdependence? Is it genetics, social isolation, even something telepathic on the border? Or is it just a traumatic reaction to the unique and often racist circumstances the twins faced?
Smochinskaya illustrates the private, closed worlds of June and Jennifer with occasional stop-motion puppet scenes in the middle of the action. They are visually delicate and a bit unnerving – they offer a well-crafted visual expression of raw imagination as well as the engendering darkness of this unique twin soul.
As the couple’s dreams degenerate into drug abuse and eventually arson and robbery, it becomes increasingly clear that the society they live in is built on rules they so completely ignore that they are destined to be institutionalized.
The real twins were sentenced to just over ten years at Broadmoor, a shocking draconian fate given their relatively minor crimes. Like a biopic silent twin sometimes suffers from its opacity: it is difficult to understand what internal engine works in these young women.
But as a broader statement about how outsiders and outcasts are crushed by our world, it hits the mark.
Source: I News
I am Mario Pickle and I work in the news website industry as an author. I have been with 24 News Reporters for over 3 years, where I specialize in entertainment-related topics such as books, films, and other media. My background is in film studies and journalism, giving me the knowledge to write engaging pieces that appeal to a wide variety of readers.