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The Future by Naomi Alderman Review: A Magnificent Collection of Power-Hungry Billionaires Like Elon Musk

Naomi Alderman is an outstanding global designer. We already knew this from her 2016 bestseller. Powerin which she imagined that patriarchy would be overthrown if women developed the ability to administer electric shocks with their fingers.

The way Alderman transformed everyday life into something unknown and completely recognizable was extraordinary; It’s no surprise that the novel became a groundbreaking novel, winning the 2017 Women’s Prize, being named Book of the Year by everyone from Barack Obama to Bill Gates, and recently being adapted into a TV series for Amazon Prime.

Here FutureThe city council member does the same: opens the pages of his first novel since then Power This is not so much reading as getting into a parallel universe. Once inside, we find ourselves in an environment where a handful of titular tech billionaires are using their power to destroy the planet. So far it’s so easy to relate to real life.

But Alderman clearly had a lot of fun coming up with futuristic technology—we have concepts like private weather systems (rain can be replaced by sun) and screens sticking out of handcuffs. Meanwhile, the atmosphere is constantly teetering on the brink of the apocalypse, where “prepper groups” and forums dedicated to the struggle for survival are the norm.

The plot is as complex as the setting. The book begins with three technology executives—social media mogul Lenk Scatlish, computer director Ellen Bywater, and Amazon-like corporate giant CEO Zimri Nommik—receiving information from an AI that the world is coming to an end. Cause? The pandemic is worse than Covid. The trio boards a private jet to a secret Doomsday bunker, and the last sentence of this prologue perfectly encapsulates their self-centered elitism: “They didn’t leave the world, the world left them.”

Future He then travels through time and around the world to Singapore “a few months before the end of the world”, just as Chinese-American survivalist influencer Lai Zhen becomes the victim of an assassination attempt. Despite videos she’s made on how to deal with fear in emergency situations, it turns out that the only thing she hears in her head when gunshots ring out is “my own stupid voice saying, ‘You.’ “You might shit your pants. »

We then rewind another six months and meet Martha Einkorn, who was raised in an oppressive religious cult and now works as Scatlish’s assistant in California. Martha and Zhen meet at a conference in London and quickly begin an affair. But the story really begins when we learn that Martha is plotting with a group of rebels to take control of the billionaires of Silicon Valley.

In this sense, Future is the Russian doll of the book: a love story wrapped in a heist story, wrapped in a fable about big tech, climate change, morality and inequality.

The novel’s many layers unfold across different time frames and are not easy to follow. However, the prose itself is superb. Alderman’s mentor is Margaret Atwood, and this shows that this is a high-quality production, filled with more humor than one might expect given the subject matter.

The best way to do this is through ironic descriptions of leaders. “The Day the World Ended, Lenk Scatlish.” […] “Sitting at dawn among the redwood trees in a place of natural beauty and trying to breathe through my belly button,” says the first sentence of the book.

I like Power – and Alderman’s debut in 2006 disobedienceabout a woman who returns to the Orthodox Jewish community in north London. This film was made into a film in 2017 with Rachel Weisz and Rachel McAdams – Future It also needs to be adapted to the screen. Thanks to its lively prose, it already soars in the mind as a big-budget drama.

Since Alderman also works as a video game writer, it’s no surprise that she has a knack for visual effects, but she has a talent for something else, too. When Power was released, women around the world protested the misogyny of newly elected Donald Trump, and months later the #MeToo movement grew. More than ever, we need stories about feminism and the power dynamics between men and women.

Now, Future takes place post-pandemic (Alderman started writing it long before Covid), as ChatGPT brings artificial intelligence into the mainstream and Elon Musk’s power-hungry control of Twitter (or should that be X?) becomes more alarming by the day.

Hint in the title: FutureAlderman’s greatest gift is foresight, and this alone makes Alderman a worthy candidate for another major literary prize.

Source: I News

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