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“Orbital” by Samantha Harvey, review: A wonderful novel

“Life is short (especially yours). Let go, be brave.” So says Chi, one of six astronauts aboard a spacecraft inspired by the International Space Station in Samantha Harvey’s charming fifth novel. orbital. She talks to the mice she is observing as part of a series of scientific experiments, and encourages them to stop clinging to the bars of their cage and learn to fly.

But Chi might also be speaking to the rest of humanity, far, far below Earth’s spaceship, where we are either new dinosaurs whose days are numbered, or intrepid explorers about to conquer new intergalactic territory after we have wiped out the planet on which was given to us. Earth. .

Harvey is a writer who has unfairly remained in the shadows despite being longlisted for the Booker. DesertHer 2009 debut about dementia was called “this generation’s Virginia Woolf” for its lyrical, imaginative exploration of the human psyche.

IN orbitalShe focuses on themes of time and faith, which recur in her work, especially in her 2020 memoir. Shapeless discomforta poetic exploration of a year of insomnia.

The novel reads like a love letter to Earth and the International Space Station, which NASA plans to leave orbit in 2030. “An alien civilization might be watching and wondering, ‘What are they doing here?’ Why don’t they go anywhere except over and over again?” Harvey writes in the prologue to a book about the station, which she calls Orbit Minus 1. “Earth is the answer to every question. The earth is the face of an enthusiastic lover; You watch him sleep, wake up, and get lost in his ways. The earth is a mother awaiting the return of her children, full of stories, delight and longing.”

We meet Harvey’s space crew hanging out in their sleeping bags as “The Universe in Mere Eternities” unfolds on the other side of their spaceship, before waking up somewhere over Central Africa as the story, such as it is, picks up steam.

Harvey follows his six astronauts – from the US, UK, Italy, Japan and Russia – as they orbit the Earth sixteen times a day in space, with the crew locked to UTC: “Continents pass by like fields and villages from space. train window. Days and nights, seasons and stars, democracies and dictatorships.”

The novel has a simple and thoughtful structure, with each of the sixteen chapters focusing on a single orbit, but Harvey also delves deep enough into the lives of each astronaut, just enough to create the appearance of narrative power and enough emotional impact to keep readers interested.

It helps that she uses her teammates to connect events in space to events on Earth. On a honeymoon to the Philippines, Pietro, one of two Russian cosmonauts, meets a fisherman and his family who are threatened by a powerful typhoon that the space crew is watching from above.

Harvey combines the poetic beauty of his prose (“over the right shoulder whispers the morning of the planet, a thin, molten burst of light”) with a clarion call to take responsibility for our environment. “Can’t we stop the tyranny, destruction, robbery and waste of the only thing on which our lives depend?”

But what I loved most was that Harvey’s spaceship is a raging utopia, a world without borders where the crew defies orders to use the nation’s restrooms “due to ongoing political disputes.”

The spacecraft is “the nation’s last outpost without borders, challenging the shackles of biological life.” Based on Virginia Woolf Waves, where several consciousnesses merge, Harvey’s astronauts become one: drinking each other’s recycled urine, breathing each other’s recycled air, and speaking in a collective voice. “We cannot be divided, that’s true. It won’t be us, because we can’t be like that.”

If only everyone could read this little miracle book, which deserves to bring Harvey so much more recognition, and hear the same message.

Source: I News

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