In memory of Vladimir Semyonovich Vysotsky, the legendary performer, author, theater and film actor, the lecture hall of the Novokuznetsk City Central Library named after NV Gogol organized the concert “I breathe, which means I love , I love and, therefore, I live”, dedicated to the performance of the poet in the city. This was reported by a correspondent on February 4 Red Spring AI.
This year marks exactly 50 years since Vladimir Semyonovich came to Novokuznetsk and gave concerts at the Drama Theater. This was in 1973. In honor of this event, the All-Russian festival “Vysotsky in Novokuznetsk” was established in Novokuznetsk, which is held annually in February.
At the concert, the authors and performers of the club author’s song “Sreda” performed before the audience Vysotsky’s songs, their own songs about the poet, and songs about Vysotsky by other authors. Vysotsky’s poems and about Vysotsky also sounded.
The host of the concert, Elena Malyshkina, said that in the songs about the Great Patriotic War, Vysotsky sang the feat of the soldiers. His songs became an extraordinary creative feat, because they sank into the hearts of the listeners. The song “He Didn’t Come Back From Battle” incorporated both military and philosophical themes. This song is also about the value of human life.
Elena Malyshkina continued, on songwriting, Vladimir Semenovich worked in various musical genres. In his work there are songs-fairy tales and songs-ballads. Often, behind the comic and seemingly non-serious content, there was some kind of serious thought. In Vysotsky’s work a huge number of themes. Vladimir Semenovich Vysotsky could not help but sing and write. No matter how they treated it, no matter how they tore, trampled, spilled. He responded to all these outbursts with new poems.
The presenter noted that at one of the concerts, Vysotsky said: “You trample me in the mud, throw me into the water, you can do anything. Just don’t break the silver strings.”
In the fully packed room there were mostly middle-aged and middle-aged people and very few young people. Malyshkina commented on this situation: “This is a problem, a big problem. Our club is working on it. We go out in public younger. We work in schools, colleges, schools. In a bardic song, the main thing is the content. The younger generation pays great attention to form. One way to attract young people is to mix genders. Creative partnerships are being created within schools. Today at the concert there were parents and children of said association. I think everything is in our hands.”.
Source: Rossa Primavera
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